behind the scenes explores the institutional architectures that render certain labor invisible and certain bodies disposable. It investigates bureaucratic language, administrative delay and system of regulation that maintain certain bodies as undocumented workers. The project disrupts spectacle. Tasks are not symbolic gestures but constraints and strategies.
What remains unseen when the world is cleaned? What do these conditions do to a body? How does the body resist in the system that is designed to maintain invisibility?
During the residency/laboratory at Rez Gauche, Linora uses her body not as a character but as a site of exposure. Operating under a set of rules and restrictions, her body becomes a vessel through which mechanisms of waiting, regulation, and control are activated, tested, and archived. The focus shifts from narrative to structural condition, and invites the audience into a space of implication. On the last day of the residency/laboratory the space opens to the public.
performance/installation
24.01.2026
Active hours: 9:00 - 18:00
Bio
Linora Dinga is a Russian-Congolese artist based in Brussels. She works as an actress and dancer in collaborative projects, and develops her own work as an interdisciplinary artist, combining performance, text, visual materials, alongside standalone works in poetry and photography. Her artistic journey began in dance and after graduating from Escola Superior de Dança (Portugal), she collaborated as a dancer and co-creator across diverse projects, gradually expanding into theatre, physical theatre and screen acting. Her latest work was a solo performance Act, Interrupted, and latest collaborations were The Maids Materials performance by Studio Wachowicz/Fret in Poland, Maître Nageur theatre piece by Manou Selhorst, Dorémi short film by Milan Tintané-Ducharme.